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Steel |
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Awakening
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History
Welding (also known as
brazing) is an add-on process. Back in the 80's, joining small pieces of
sheet metal with a torch flame, filler rod, and flux gave Nannette a
sense of freedom. She was able to carry out creative decisions and
experimentation during the beginning, middle, and end of a finished
sculpture. This is totally different from the confines of
casting in metal,
where once the image is fixed in wax, the labor-intensive work
begins. Along with cardboard,
fiberglass,
and brass,
steel was a welcome change of medium for Nannette.
As
Nannette became more immersed in her
bronze horse-bird series,
she used steel and brass to carry the theme forward. The
spontaneity of welding metal helped her resolve the unfinished
legs, claws, feathers, and accents. Like the first wax horse-bird image,
Nannette let the metal dictate
the direction of the piece's concept and surface textures. In
Awakening, she ground the weld
to a smooth high-shine; while in the earlier
Seated
Nude, Nannette left the steel weld in its rough state; each
had its own aesthetic value.
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Awakening
welded steel, 1985 17"x18"x12"
Commemorative Catalogue
Permanent Collection of Maryland Artists
at Towson University
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Wings,
welded
steel,
1982, 3.5"x5" Seated Nude,
welded steel, 1972, 8"x7"x12"
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Storm Tossed

Baltimore
Life Lobby, Owings Mills, MD, 1994-1995, arc-welded steel, 36"x36"x36"
In preparation for
Storm Tossed, Nannette made many paper macquettes.
Though
only one was used, Nannette knew,
one day,
she would
revisit these paper circles. Ten
years later, the paper circles found their way into Nannette's colorful clay
sculptures, in
the
Candyland
series.

1995, paper macquette
2005,
Candyland 1,
clay, 4"x6"x4"
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